Opera
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Artist: Charles Mackerras/Scottish Chamber Orchestra and Chorus Recording: Mozart: Die Entfuhrung aus dem Serail:The Abduction from the Seraglio, K. 384 Release# CD-80544 DSD |

The cast for this recording of Mozart’s Die Entführung aus dem Serail had a once-in-a-lifetime opportunity to gain unique insight into the libretto—they were able to reenact the opera in full costume on the grounds of the Topkapi Palace in Istanbul—the site of the actual Imperial Harem in Turkey. The cast was filmed on location for a joint project between Antelope Productions, the BBC, and the Istanbul Foundation for Culture and Arts, in association with Turkish radio and television. This recording was made in Scotland as an accompanying soundtrack for the film, which was produced and directed by Antelope’s Mick Csaky. The opera was staged and directed by Elijah Moshinsky. The 90-minute film, which contains documentary sections illustrating the creative processes involved in staging and producing the opera, is scheduled to air in the United Kingdom sometime later this year.
This is Sir Charles’s fifth Mozart opera recording for Telarc, all featuring the Scottish Chamber Orchestra and Chorus. Previous, highly acclaimed recordings include: Don Giovanni (CD-80420); The Marriage of Figaro (CD-80388); Cosi fan Tutte (CD-80360); and The Magic Flute (CD-80302). Sir Charles has taken a particular interest in studying the performance practices of the eighteenth and nineteenth centuries. For Telarc he has recorded all of the Mozart symphonies and serenades (with the Prague Chamber Orchestra), several Haydn symphonies, the Handel Water Music; and more recently, a highly praised set of the Brahms symphonies and serenades with the Scottish Chamber Orchestra.
The distinguised cast of singers for this recording includes the Turkish coloratura soprano Yelda Kodalli, who has garnered international acclaim for her roles as the Queen of the Night in The Magic Flute, as well as the title role in Lucia di Lammermoor, and Gilda in Rigoletto. Also featured is tenor Paul Groves, well known to audiences at the Metropolitan Opera for his roles as Ferrando in Cosi…, Fenton in Falstaff, Tamino in The Magic Flute, and appearances in Ariadne auf Naxos, Death in Venice, Fidelio, Der Rosenkavalier, and many others. The Sicilian soprano Desiree Rancatore made her operatic debut at the Salzburg Festival in 1996, followed by numerous engagements in Europe to sing roles in Le Nozze di Figaro, Carmen, Parsifal, and Blonde in Die Entführung aus dem Serail.

Sir Charles Mackerras - conductor
Scottish Chamber Orchestra
Yelda Kodalli -- Konstanze
Paul Groves -- Belmonte
Desiree Rancatore -- Blonde
Peter Rose -- Osmin
Lynton Atkinson -- Pedrillo
Oliver Tobias -- Bassa Selim
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| 1. Overture |
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| Act One: Erster Aufzug |
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| 2. Nr. 1 Aria: "Hier soll ich dich denn sehen" |
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| 3. Dialogue: "Aber wie soll ich in den Palast kommen?' |
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| 4. Nr. 2 Song and Duet: "Wer ein Liebchen hat gefunden" |
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| 5. Dialogue: "Konnt' ich mir noch so einen Schurken" |
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| 6. Nr. 3 Aria: "Solche hergelauf'ne Laffen" |
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| 7. Dialogue: Geh nur, verwunschter Aufpasser!" |
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| 8. Nr. 4 Recitative and Aria: "Konstanze! dich wiederzusehen!" |
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| 9. Dialogue: "Geschwind, geschwind auf die Seite und versteckt!" |
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| 10. Nr. 5b Chorus: "Singt dem groBen Bassa Lieder" |
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| 11. Dialogue: "Immer ncoh trauring, geliebte Konstanze?" |
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| 12. Nr. 6 Aria: "Ach ich liebte" |
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| 13. Dialogue: "Ihr Schmerz, ihre Tranen" / Dialogue: "Triumph, Herr!" / Dialoge: "Wohin?--Hinein!" |
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| 14. Nr. 7 Trio: "Marsch, marsch, marsch!" |
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| Act Two: Zweiter Aufzug |
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| 15. Dialogue:O des Zankens, Befehlens und Murrens" |
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| 16. Nr. 8 Aria: "Durch Zartlichkeit und Schmeichein" |
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| 17. Dialogue: "Zartlichkeit! Schmeichein!" |
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| 18. Nr. 9 Duet: "Ich gehe, doch rate ich dir" |
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| 19. Nr. 10 Recitative: "Welcher Wechsel herrscht in meiner Seele" |
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| 20. Aria: "Traurigkeit ward mir zum Lose" |
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| 21. Dialogue: "Nun, Konstanze, denkst du meinem Begehren nach?" |
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| 22. Nr. 11 Aria: "Martern aller Arten" |
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| 23. Dialogue: "Ist das ein Traum?" |
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| 1. Dialogue: "Bst, bst, Blondchen!" |
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| 2. Nr. 12 Aria: "Welche Wonne, welche Lust" |
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| 3. Dialogue: "Ah, daB es schon vorbei ware!" |
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| 4. Nr. 13 Aria: "Frisch zum Kampfe!" |
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| 5. Dialogue: "Ha! Geht's hier so lustig zu?" |
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| 6. Nr. 14 Duet: "Vivat Bacchus!" |
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| 7. Dialogue: "Wein--Wein--ist ein schones Getrank!" / Dialogue: "Ist Konstanze noch nicht hier?" |
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| 8. Nr. 15 Aria: "Wenn der Freude Tranen flieBen" |
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| 9. Nr. 16 Quartet: " Ach Belmonte! ach mein Leben!" |
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| Act Three: Dritter Aufzug |
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| 10. Nr. 17 Aria: "Ich baue ganz auf deine Starke" |
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| 11. Dialogue: "Alles liegt auf dem Ohr" |
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| 12. Nr. 18 Romance: "In Mohrenland gefangen war" |
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| 13. Dialogue: "Sie macht auf, Herr!" / Dialogue: "Gift und Dolch! Was ist das?" |
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| 14. Nr. 19 Aria: "O, wie will ich triumphieren" |
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| 15. Dialogue: "Was gib'ts, Osmin?" |
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| 16. Nr. 20 Recitative: "Welch ein Geschick!" |
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| 17. Duet: "Meinetwegen sollst du sterben!" |
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| 18. Dialogue: "Nun, Sklave, elender Sklave!" |
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| 19. Nr. 21a Vaudeville: "Nie werd' ich deine Huld verkennen" / Nr. 21b Chorus: "Bassa Selim leve lange!" |
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| Appendix: Anhang |
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| 20. Nr. 15 Aria: "Wenn der Freude Tranen FlieBen" --(long version) |
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Mozart - always a crowd pleaser in my book! Thanks for sharing!
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Annette,
You are reading my mind. I have been interested in classical music lately, helps the fluidity of my mind when I paint. I've been given a few CDs from friends, but have worn them into warped repetitve noise makers. I've been wanting to venture out on my own and now I have a starting place. Many thanks.
If you have any suggestions that include amazing singers, I will take'em.
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Kim, obviously Paul Potts. He only has one CD so far... "One Chance". I love Il Divo even though they are not classical... they have that flavor. I have the CD Siempre. Il Divo has several CD's. This is another one of my very favorite CD's (there are many CD's entitled Opera without Words and I know nothing about any of the others so use mine! LOL) - Opera Without Words
Georges Bizet (Composer), Pietro Mascagni (Composer), Jacques Offenbach (Composer), Giacomo Puccini (Composer), Giuseppe Verdi (Composer), Richard Wagner (Composer), Arthur Fiedler (Conductor), Boston Pops Orchestra (Orchestra. One more - Neville Marriner conducting Mozart Overtures by Academy of St. Martin-in-the-Fields.
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